Our finishing department supports both fine art and commercial print, delivering clean edges, durable construction, and presentation-ready results.
Print is only as good as its finishing.
Poor trimming, weak binding, or rushed mounting will undermine even the best artwork. We treat finishing as a controlled production process — not an afterthought.
Precision Cutting & Trimming
Clean, accurate finishing using industrial guillotines and cutters.
- Square trimming
- Custom sizing
- Border adjustments
- Short-run precision work
No hand-cut edges. No guesswork.
Mounting & Backing
Flat, stable presentation for exhibition, display, or framing.
- Conservation-grade mounting options
- Foam board & rigid backing
- Flush mounting
- Dry mounting (where appropriate)
We advise on archival vs non-archival depending on use case.
Encapsulation & Lamination
Protection without compromising clarity.
- Matte or gloss lamination
- Encapsulation for durability
- Exhibition-ready finishes
- Anti-scuff protection
Used correctly, lamination extends lifespan and handling durability.
Folding & Creasing
For portfolios, limited editions, and presentation documents.
- Perfect binding
- Saddle stitching
- Wire binding
- Padding
We also support artist portfolios and short-run publications.
Binding & Book Finishing
Flat, stable presentation for exhibition, display, or framing.
- Conservation-grade mounting options
- Foam board & rigid backing
- Flush mounting
- Dry mounting (where appropriate)
We advise on archival vs non-archival depending on use case.
Packaging & Presentation
If it leaves our studio, it leaves properly presented.
- Tissue interleaving for fine art
- Branded labelling
- Protective wrapping
- Ready-to-ship packing
We treat presentation as part of the product.
Well Finished!
Why Finishing Matters
- Poor trimming ruins perceived quality
- Incorrect mounting causes warping
- Cheap lamination yellows and peels
- Weak binding fails under use
Finishing determines whether the work looks professional or DIY.
Who?
For Trade & Agency Clients
If you’re running campaigns or exhibitions, finishing is where timing failures happen. We keep finishing in-house to control turnaround and reduce dependency on third parties.
- Same-day finishing available on selected jobs
- Consistent output across repeat runs
- Reliable packaging for courier dispatch
Need Advice?
Not every job needs every process.
Tell us the purpose — exhibition, resale, display, shipping — and we’ll recommend the correct finishing route.
FAQ
What we get asked most!
Mounting fixes a print to a rigid backing board to keep it flat. Framing is a separate process that encloses the artwork in a frame with glazing. We handle mounting; framing can be arranged if required.
We offer both archival and non-archival options. For artwork intended for resale or exhibition, we recommend conservation-grade materials to prevent long-term damage.
Yes. Final trimmed size is exact. If you require a specific finished dimension, ensure bleed is included in your artwork. We can advise on correct file setup before print.
Yes. We use proper creasing equipment rather than scoring by hand. This prevents toner or ink cracking on folded pieces.
We provide saddle stitching, perfect binding, wire binding, and padding. The correct option depends on page count, paper weight, and intended use.
Yes. We use tissue interleaving, corner protection, rigid backing, and secure outer packaging to reduce risk during transit.
In many cases, yes. Because finishing is handled in-house, we can often complete trimming, mounting, folding, or binding on the same day as print — subject to workload and job complexity.
Not always. Lamination is useful for high-handling items like menus, signage, or display graphics. Fine art prints are typically not laminated, as it alters the surface and can reduce archival integrity.
Yes, subject to paper availability. We aim for consistency across repeat and limited-edition runs.
Yes. Sample packs are available to help you compare paper surfaces and finishes before committing to a print run.
Paper choice depends on the artwork style, level of detail, and desired finish. We recommend proof prints or sample packs if you’re unsure.
Yes. We regularly work with recognised fine-art paper manufacturers such as Hahnemühle and Canson, among others.
We offer a curated range of fine-art papers, including smooth matte, textured cotton rag, and photographic finishes.
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Hahnemühle Photo Rag
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Canson Rag Photographique
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Epson Cold Press Natural
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Smooth Pearl and Lustre papers
Custom papers may be available upon request.